Current copyright law has proven inadequate to address the uses of creative works in this technological and Internet age. Today’s global environment is one of almost costless reproducibility and dissemination, low-cost production of not only written works but also musical, visual, and moving image works, and increased and varied platforms for publication. In addition, the past decade has seen proliferation of user-generated content, in which both amateurs and professionals enjoy copyright ownership over their publicly accessible works, as well as an unfailing use of peer-to-peer file sharing of copyrighted works. Combine these developments in creation and dissemination of copyrightable works with the complicated role of online service providers (OSPs) as hosts of both amateur and professional content and copyright law can be fairly described as “under considerable stress.”
This is how Pamela Samuelson and Members of the Copyright Principles Project (CPP) summarized the current state of copyright law in the recently released “The Copyright Principles Project: Directions of Reform” (PDF). In the Report, Samuelson and CPP outline seven guiding principles for copyright reform, focusing on the purpose of copyright in this digitally interconnected world. Copyright should:
1) “encourage and support the creation, dissemination, and enjoyment of works of authorship in order to promote growth and exchange of knowledge and culture”;
2) “promote the creation and dissemination of new works in three distinct and complimentary ways: by encouraging the provision of capital and organization needed for the creation and dissemination of creative works; by promising creators opportunities to convey their works, as appropriate, to aid education, cultural participation, the creation of new works, and the development of new forms of creative output”;
3) “facilitate the provision of capital and organization for creative works by providing a set of rights over which parties can reliably transact”;
4) “give creators opportunities to convey works to their intended audiences by vesting exclusive rights, as an initial matter, in the authors of the works and encouraging authors to explore different ways of reaching audiences for the works”;
5) “limit control over uses of creative works by setting boundaries on the rights of copyright owners and on remedies for infringement”;
6) “support opportunities for innovation and competition in technologies for disseminating and experiencing creative works” and “also support rights holders’ reasonable interests in effective protection of their rights in the face of technological change”; and
7) “recognize that the system in which creative activity occurs and in which creative works are circulated is increasingly global.” Continue reading


